“AS PER UNA, RAVERA IS IMPRESSIVE IN SWIFTLY MOVING HER CHARACTER FROM CHILDLIKE NAIVETY, TO PREPUBESCENT ROMANTICISM; FROM RESTLESSNESS TO DISTRESS. HER BODY ON STAGE PERFORMS, RATHER THAN JUST RECOUNTING, THE INEVITABLE CONSEQUENCES OF PETER’S MISDEEDS. FURTHER, RAVERA’S DILIGENT DELIVERIES MANAGE FOR SOME DRY HUMOUR TO CUT THROUGH THE NEGATIVE AFFECT OF THE PLAY.”
LA VOCE DI NEW YORK, ON BLACKBIRD